Lefttop The Cama is around 3,000-6,000 USD Essays - Camelids

lefttop The Cama is around 3,000-6,000 USD A Camel can be from 2,000 to 20,000 USD A Llama can be from 1,500 to 6,000 USD CAMA- Crossed with a camel and a llama Cama can reach 49 to 57 inches in height (at the shoulder) and 180 to 1.000 pounds of weight. Cama is covered with soft fur that is slightly shorter than the fleece of llama. Cama has short ears, long tail and cloven hooves. It doesn't have hump on the back. Cama is a herbivore. Its diet is based on various types of shrubs. Just like camel Cama was created by crossbreeding male camel with female llama. Mixing of male llama and female camel proved to be unsuccessful. Cama was created via artificial insemination due to great differences in the size of camel and llama (camel is 6 times heavier than llama). Intrauterine development of cama lasts 343 days, just like in llama (335 to 360 days). Compared with baby llama (22 pounds) and baby camel (66 pounds), baby cama is very small and weighs only 11 pounds at birth. Cama vocalizes like camel. Goal of mixing of camel and llama was to create large and strong animal with cooperative temper that can be used as a pack animal in harsh desert climate. Llama and camel have the same number of chromosomes (74). Even number of chromosomes results in equal division of genetic material during gametogenesis, which is essential for the successful fertilization. CITATIONS- http://www.softschools.com/facts/hybrid_animals/cama_facts/2696/

Essay Topic Ideas

Essay Topic Ideas'I Know Why the Caged Bird Sings' is a good article because it provides a wide range of ideas and topics to use in your 'I Know Why the Caged Bird Sings' essay topic. Topics such as the difference between a city bird and a city parrot, a bird's ability to be in a safe environment and survive, socialization and behavior, whether or not birds are able to survive on their own, and other ideas have been used in many different ways by many different writers and essay topics. This article will provide you with some ideas and topics to use for your essay topic.A city bird, of course, would be much more likeable if it was left to its own devices to survive. However, it's interesting to note that this isn't always the case. Birds are sometimes taken from their habitat to be sold to zoos and to be used in displays. While these people may think it's the right thing to do, these birds have likely been mistreated while they were being transported, so a more humane solution may be in order. The decision has to be made if the bird will be able to survive, and whether or not it is worth the price, simply to provide the perfect escape for the person who is adopting the bird for an exhibition.If you can, you should write about the fact that urban wild birds are more likely to migrate than their rural cousins. When wild birds fly from city to city, they go in small groups and usually fly a long distance. However, the birds that return to the countryside are likely to travel long distances when returning. As a result, they travel much farther and for a shorter time span in their migration than city birds do.If you want to write about it, you should consider using the idea that birds communicate through song. It may sound strange, but you may actually be surprised to find out that birds do in fact talk to each other, much as people do.As a last thought on this subject, keep in mind that birds that live in cities often get killed by their predators, such as coyotes, or dogs. This is a serious issue because birds become dependent on humans for food, shelter, and just about everything else, but they continue to serve their purpose even in the face of death. For this reason, it is almost always the right idea to have something like a bird-watching trip as a part of the idea of urban wild birds.Next, you may consider how much your audience will have changed due to the population changes in your area. If we've seen a decline in the amount of land available for new houses, or a decrease in the amount of work needed to provide this land, you can use the information about these population changes to tell about the bird population in your community.The list above is only a few ideas to consider when you are writing your essay. Consider all of the possibilities when deciding what essay topic to use, and make sure you're going in the right direction before you start.

Making English an official language in the US

Making English an official language in the US Introduction The United States (US) is home to many people who come from all parts of the world. This means that they come in with their native languages. Most of the people who come to the United States have little or no English background. I believe that the US should take up English as an official language because it will be a unifying aspect when it does become. It is actually used in almost all sections of the US, and by this I am referring to schools, parliament and the constitution. Advertising We will write a custom essay sample on Making English an official language in the US specifically for you for only $16.05 $11/page Learn More The unifying language To begin with, there have been cases of misunderstandings that sometimes result to meaningless arguments that cause physical or mental harm as a result of the use of native languages. If only English was an official language, then such incidences would be avoided. Secondly, we have an education syste m that uses English, and an economy that operates worldwide with the use of English just to mention but a few. A common language like English will bring about a common understanding leading people to having a common vision hence creating unity. Most nations of the world use English as their first or even second official language, if this is so then why not the US as well? English would serve as a uniting factor among the different races that exist in America. English is a rather simple language to learn. Since it is already spoken or is understood by a majority of the population, then it would be a viable tool to unite the different races in the country. Lately, Hispanics have been segregated as they use Spanish for communicative purposes. If the trend continues, this will aggravate the segregation eventually alienating the Spanish and other communities as well. It is therefore necessary to have a unifying linguistic factor which would also go a long way in alleviating the racial conflicts Bilingualism is proving to be too expensive for the American tax payers. The government has been allowing immigrants to use their native languages of which the government provides government funded translators. This is not only inconveniencing the whole system as more and more immigrants arrive from different countries, but will also be unsustainable in the near future. Looking back at history, regions with a common communicative tongue have always flourished. Those without were forced to develop a lingua franca to meet their communicative needs. This has not changed in the present conditions. There is a need to have a common language to be used in business and other areas in America. Advertising Looking for essay on languages? Let's see if we can help you! Get your first paper with 15% OFF Learn More This would go a long way in further improving the country’s economy and well being. Opponents would argue that this language need not be Englis h, but developing another language to the level where English is would take America a lot of years and resources. It is therefore very obvious that the language of choice here would be none other than English. English language has the largest vocabulary as compared to any other language in the world. It is estimated that there are between 500,000 to 1,000,000 words to choose from in the English vocabulary. This makes English the most practical language to give a national status due to its ease of expression. Scientific innovations are precisely expressed in the English language. In this field, English has proved to be viable tools as even other languages tend to borrow some scientific terms from the English language. This includes all fields of science ranging from biological and technical sciences. A lot of books are already written in English. This includes books that were originally written in other languages. It is always very easy to translate books from other languages into E nglish than it is to translate English into other languages. This shows that English opens up an avenue for American citizens to embrace more knowledge from other countries and societies. English is also used in majority of the American educational institutions. This includes the institutions from elementary to university level. This has considerably elevated the status of the American universities which are ranked among the best in the world. Simplicity English is relatively a simple language. The level of understanding is high as this can be witnessed by its use in the lowest elementary education level. Other languages have borrowed a lot from it as well. Its Accessibility There are many English resources available in schools such as books, journals novels among others. The internet is as well a good source of English language and is more practical as aspects such as the social media have made it easier to learn the language. It is the language that is most used as a mode of com munication in the social media. Utility It is through the use of a language like English that business can be carried out and brings about profits. Advertising We will write a custom essay sample on Making English an official language in the US specifically for you for only $16.05 $11/page Learn More The reason behind this is that, numbers mater most when it comes to business and a language like English that is used by billions of people all over the world means good returns. This thus proves that it is important to officiate the language in the US for economic and growth purpose. A cultural aspect English is a culture in its self. This has been displayed in different forms like drama and theatrics to the way of living. Its dialects and diphthongs have often been used to express feelings, and emotions among others. This thus means that English can be used to derive a common culture among the people of the Unite States. Job creation Once it is made the offi cial language, more job opportunities will be at people’s disposal, as the need to teach the language will be greater. Conclusion If one is asked which language is best fit to become the official language of the United States, English would be the best fit. This however does not mean that all other languages would be disregarded. English is the one that has a favorable connotation. By the fact that it is used in almost all systems of the Nation, it deserves to be made the official language. The people in the United States have a variety of languages and if all are spoken, then communication would be a challenge. There needs to be a unifying language like English so as to enhance the common good since there will be more understanding between people, and in the end, peaceful co-existence. This peaceful co-existence can only come about through the promotion of English culture amongst the people. English, therefore, should become the official language to be used in the United St ates for the common good of all.

What do Women Writers Want from an Editor

What do Women Writers Want from an Editor What do Women Writers Want from an Editor? Laurie Garrison, Ph.D.  is the director of Women Writers School, a blog and course provider that works mainly with female authors. She has recently self-published a manifesto for her business, Women Writers in the Twenty-First Century. Previously, she was a university lecturer, an internationally renown critic of Victorian literature and the author of the book,  Science, Sexuality and Sensation Novels: Pleasures of the Senses.The online world is bursting with free advice for writers. Everywhere I look I see articles geared toward helping the writer shape her emails, pitches, proposals, synopses and, above all, her manuscripts into something an agent, editor or publisher wants to see. When the time comes to approach our target reader (whether they're an agent, editor or publisher), we must tread very carefully indeed. We must make no approach until we have completed the necessary research on titles, authors, style and interests (not our own but those of our target reader).When we make that first contact, we must be concise and get straight to the point. Our reader has very little time to spare. We must list our achievements with confidence but not boast too much, lest we irritate our reader before the attachment is even opened. We must choose the perfect comparison titles, but only those that strongly resonate with our intended reader, and we must get this right or a door will slam in our faces. We must be keen but not so keen that we ever chase for a response because, unless successful, a response is just too much to expect.Publishing Advice and Women’s Experience: Is Change Afoot?This detail-oriented, anxiety-ridden, almost desperate determination to shape oneself into whatever it is the recipient on the other end of the email journey wants is familiar to a lot of women, not just in publishing but in other competitive professional situations as well. The question of whether a woman should mold herself to fit the world around her (what I’d cal l the 'Lean In' approach) or whether it is the outside world that needs to change (what I’d call the 'Lean Out' approach) is a subject of much debate in modern feminism. Clearly, the majority of us in publishing are taking the 'Lean In' approach, not least because sometimes we just want to get published and will have to reform the world at another time.However, we are operating at a time where things are changing quickly. I wonder if a changed world, where agents, editors, and publishers cater more to the needs of writers, might not be so far away after all. In recent years, the rise of ebooks, the social web, and self-publishing have turned traditional publishing on its head. Dedicated independent authors can now sell as many books as authors from the Big Five. In the new status quo, it matters much, much more what the audience thinks than what the agent, editor or publisher thinks. "In the new status quo, what readers think matters MUCH more than what agents or publishers do" Add to this that women are experiencing a disproportionate amount of success in self-publishing, and I would very much like to ask, will there be a time where agents, publishers, and editors must cater not just to writers, but to women writers? What would the profession look like if it was shaped to suit the needs of female writers rather than the schedules and budgets of the publishing industry? For the sake of discussion, I propose that it would look very different from the world currently represented on publishing advice websites. That is where a writer is encouraged to mold every detail of herself and her work to fit what a hypothetical agent, editor or publisher is looking for -   whether the idea of that agent, editor or publisher is realistic or not. "What would publishing look like if it was shaped to suit the needs of female writers?" A New Kind of Writer-Editor RelationshipI’m going to propose a more equal relationship between writer and editor. It's a kind of relationship that represents what I think a woman wants from an editor. I can’t speak for all women, but I do speak from experience. I’m basing my description on many years of teaching mainly female students, supervising the work of postgraduate students (again, mostly female), working as an editor, teaming up with colleagues to act as co-editors and working with commissioning editors, peer reviewers and journal editors on my personal list of publications. I’m using ‘editor’ as a catch-all to mean anyone who takes part in a developmental editing process, so I think some or all of this could apply to agents, editors, and publishers.I believe there are three qualities to writer-editor relationships that work best for women. There needs to be a sense of shared responsibility for the quality of the work (as opposed to a top-down or competitive atmosphere), lots of personal interaction in the form of frequent communication, and the development of a long-term relationship where trust and familiarity can develop. Here’s what I think this would look like in practice.1. The process of editing and revising a manuscript would be a  team effortIn my best editing relationships, the editor reads the writer’s work with the intention of making the manuscript better, not with prescriptive solutions but with questions and pointers where the writing has become loose. After all, it should be the writer’s responsibility to come up with the solution. This type of back and forth between editor and writer is especially crucial when complex ideas are involved: spelling them out enough to engage the reader engages while avoiding the pitfall of being too pedantic. In my experience, this kind of collaboration works best through conversations, not email or comments on manuscripts. If there are multip le ways of improving particular portions of a text, a conversation is often the most successful means of working this out. "Editing often works best through conversations, not emails or comments on manuscripts." 2. The editor would be able to judge the right time to empower the writer to take charge of editorial decision-makingEvery manuscript is different, and every subject is different. There is no one-size-fits-all solution for any editing challenge. If the editor is acting as an expert on structure and style, then the writer should be the expert on content and whether or not proposed changes work with the content. I have done developmental editing on manuscripts about subjects as disparate as eighteenth-century phrenology and the US-UK special relationship in James Bond novels. My role as editor in these situations has been to think creatively about how that unique subject would be best presented to an audience, bearing in mind that the final say has to go to the author as the person who knows more about the subject than anyone else.Very often, editorial decisions will depend on subject matter expertise. At these times, pointing out where there are decisions to be made is a better course of action than trying to work out a solution.3. There would be a balance of positive and negative criticismThe process of editing focuses so much on negative criticism (with the best of intentions) that it is easy to forget that a writer also needs to know what works well in a manuscript and which are the stand-out points that should be kept at all costs. There have been times when I have got the distinct feeling that my editor was desperately searching for corrections to make. I mean, for example, lots of unnecessary fiddling with word choice when the edit was supposed to be a big picture view of the manuscript. Sometimes a manuscript doesn’t need much work, but an editor wants to feel like they’re doing their job. Not just in these situations, but in any editing task, we should seek to fill up at least some of the space with positive criticism because it can be equally helpful for honing technique and developing confidence. "The editing process often focuses too much on negative criticism" #amediting w. @lauriebg_ 4. There would be regular, enjoyable communication between editor and writerI have had a number of editing relationships where I really looked forward to the conversations I would have with my editor or with the writer. But I have had an equal amount where there was no possibility of having any conversation at all and I had to make my best guess at exactly what the editor was asking me to do when the comments were unclear. I just don’t think an editor-writer relationship can be completely successful if there is no possibility for conversations between the editor and writer, at the very least to get clarification on some of the comments. When communication has been at its best in my relationships of this type, discussing the manuscript is more of a brainstorming activity than an exercise of passing information back and forth.5. Both editor and writer would improve their own writing as a result of the writer-editor relationshipIn my best writer-editor relationships, the process of working so closely with another writer results in a transformation in my own writing in future manuscripts as well as the one at hand, regardless of which role I’m taking. This is what happens when you spend a large amount of time working on someone else’s writing, which can be a bit of an exercise in being in another person’s head. If you find someone you can work with on this level, hang on to that relationship, but also keep looking for others. Multiple relationships like this can open up all sorts of possibilities for experimenting with new styles and approaches. There are so many different ways a writer’s work can transform over the years of a career, and I think editing relationships have everything to do with this.This is what I think women want from an editor. I would love for this piece to start some discussion. Is this the way you imagine an ideal writer-editor relationship working, either for men or women? Or is there another way that works best for you? Leave me a comment in the box below, and I'll do my best to answer.

Morality Essay Example | Topics and Well Written Essays - 500 words

Morality - Essay Example Considering that fundamentalist followers of any religion will have a different moral code from those of a liberal bent, it becomes nearly impossible to take dogma as a guideline for morals. Similarly, there have been times in history where certain laws themselves were unethical and even immoral therefore to follow those laws would be unethical and immoral. Therefore, I feel that my own morals come from ethical guidelines that have been given to us by experts in the field who continually update their suggestions based on changing times. That strikes very close to my idea of life since life itself is full of change and this dynamic nature of life is tremendously exciting. While the basic realties of life itself may not alter everyday, the expanding knowledge and greater understanding we have of the world around us brings changes to our lives which make it worth living. Considering the difference between what we knew a few hundred years ago and what we know today, it is not easy to project how our lives will change in a few years let alone a few decades. Yet the coming changes do not scare me in the least for I know that I will keep trying to improve my own condition as well as those who are around me. If I can devote my life to that purpose alone I would think that I have lived a good life and do not need to go far beyond that. I know that I can not change the world and I know that I probably will never be able to create anything which has a lasting affect beyond one or two generations that follow me. However, it is the idea which excites me that if I try hard enough I will be able to make a difference. Even if it is a small difference it should be something which adds to the quality of life rather than something that subtracts. Therefore, as I keep improving my own abilities and seek out ways in which I can make the lives of people

The Ideal Society Essay Example | Topics and Well Written Essays - 2250 words

The Ideal Society - Essay Example Thus, in this regard, it can be affirmed that the roles of criminal justice system are also getting extended with the increase in the aforesaid factors (Hargraves, 2006; Davis, 1983). The different factors that are related to an ideal society, which comprise equality, justice and liberty are found to be interrelated with each other. This can be justified with reference to the fact that in order to maintain the balance of equality amid the people in a society, justice plays an indispensable role. In this regard, justice not only tends to punish a culprit but also provides the right judgment to the right one and maintains discipline in a society. Apart from these factors, the role play by the police, respective governments and military also contribute in forming an ideal society. The government, judicial, police and military are regarded as the legal representatives that possess certain constitutional rights (Hargraves, 2006; Davis, 1983). With this concern, the essay intends to discuss about various important aspects that contribute in establishing an ideal society and also a comparison will be made amid these factors to acquire a brief understanding about the current criminal justice system prevailing in a society. While discussing about the characteristics of law as well as order in an ideal society, it will be vital to mention that the prime intent of law is to keep a particular society running with following certain effective legal guidelines. Specially mentioning, to maintain harmony in a society, both law and order needs to be maintained at the optimum level. To make an ideal society, a society needs to be crime free. Thus, to attain this objective, the notion of criminal law and criminal justice system plays an imperative role. In this modern day context, the main feature of criminal justice system is observed to be prohibiting the conduct of illegal

A Midsummer Nights Dream Performance Analysis

A Midsummer Nights Dream Performance Analysis In A Midsummer Nights Dream- How would you perform the role of: Lysander (500 words) Demetrius(500 words) Helena(500 words) Hermia(500 words) Theseus(500 words) in order to convey interpretation of the role to your audience? A point to consider before bringing the individual character interpretations into play is how to contextualise the performances within the text as a whole. In other words, the characters are not mutually exclusive entities, rather, they are interactive and woven into the landscape of the play. Therefore, I would like to propose a general outline for the overall performance. There are many ways to perform ‘A Midsummer Night’s Dream,’ and the way I choose will affect elements of the characters. There have been many performances of Shakespearean drama, where the play is brought into the modern day. I however, would like to perform the play in its classic setting. I would like the play to retain its archaic time setting. It is a very self-reflexive play – it is a play about staging a play. This highlights the idea of drama at its root – the reheasrsal and work that goes into a play. I would like to leave the play in an olden day setting because it consolidates the idea of drama being detached from life through its artifice, and the play being set in a by-gone era further consolidates the idea of detaching drama from everyday life. (a)The first character I would like to look at is Lysander. He refuses to yield to Demetrius’s demand for Hermia’s hand, and risks the wrath of Theseus by eloping with Hermia. This demonstrates not only the depth of his feeling for Hermia, but also his conviction in his own beliefs, and the courage to carry out these beliefs. The comic arc of Lysander’s performance hits its climax after Puck has sprinkled the love potion into his eyes and he falls in love with Helena. I would perform the character with some hyperbole at this point, in order to convey the comic element of the text to the audience. The idea of Lysander challenging Demetrius to a duel in order to win Helena’s hand is an example of the excessive behaviour and heightened action that brings much of the comedy into the play. It is a humour that comes from the reversal of the natural order – Helena has gone from being desperately in love with Demetrius and being scorned by him to being the object of both men’s affection, for example. This reversal in the behaviour of Lysander is something I’d like to highlight in performance. I think a change in demeanor, and in vocal qualities could highlight this. At the beginning of the play, Lysander is portrayed as a romantic hero. I would convey this to the audience through his appearance; ideally, the role would be filled by a tall, handsome man. I would like him to wear a costume of light material – symbolising the innocence of the ‘true lovers’ (Hermia’s description of themselves). As I would like to keep the play true to its chromatic origins, I would like Lysander to wear a type of Athenean costume, which he could change when he enters the wood. I would like all the characters to change their costumes when they enter the forest, to represent the immense change in their environment. I would like him to don a more earthy, swarthy coloured robe, such as green, to convey the pastoral environment to the audience. I would like to focus on how the character of Lysander should be performed during the sequence in which he challenges Demetrius to a duel. The interpretation that I would like to convey to the audience is one of escalating absurdity, which contributes to humour. This would be done through the props, delivery, vocal quality, paralinguistic features and a demonstration of how Lysander relates to Demetrius in this section: Lysander †¦Helen, I love thee. By my life I do. I swear by that which I will lose for thee To prove him false that says I love thee not. Demetrius I say I love thee more than he can do. Lysander If thou say so, withdraw, and prove it too. (Scene III, Act II, lines 251-256) There is a strong sense of rhythm in these lines, and also rhyme, which contribute to the tension and sense of heightened action. I would like the actor to highlight the rhythm in his delivery. I would like Lysander to adopt a masculine stance, and to circle Dimitrius, expanding his movement around the stage, owning the stage, as it were, using the entire stage to convey to the audience that he feels he owns the space, as he prowls around it. (493 words) A character trait that emerges from the text is the point where he tells the infatuated Helena that when he says, â€Å"Tempt not too much the hatred of my spirit;/For I am sick when I do look on thee.† (Scene II Act I, lines 211-212). This utterance evokes a sense of his cruel nature, a pejorative view of Demetrius which is further consolidated when we examine the first first scene of the first act. When Lysander and Hermia are told that they cannot marry, Demetruis tells them they should let him have his â€Å"certain right.† (Scene I Act I line 92). There is subsequently a huge change in Demetruis when he falls back in love with Helena at the end of the play. This is indicative of a softening of his character – a change which I feel should be represented visually in performance. In order to convey Demetruis’s somewhat cruel, righteous nature to the audience, I think the actor should appropriate a certain demeanor. Body language could be used to demonstrate his confident, cocky side. For example, he could strut, use large gestures and also make use of all of the stage space – exercising his self imposed ‘right’ to the stage space in the same way that he wants to exercise his ‘right’ to Hermia’s hand. I would like his costume to be dark colours – such as a rich red – and flamboyant design, to contrast with Lysanders’. The vocal qualities should also demonstrate these traits. He only has two lines in scene I, act one, so it is very important how these are represented, as they will be the first impression the audience have of him. Demetrius’s lines are: Relent, sweet Hermia; and, Lysander, yield Thy crazed title to my certain right. (Scene I, Act I, lines 91-92) The way in which this line is performed is very important. As the tormented lovers, the audience feels very strongly for Hermia and Lysander, to whom the presence of Demetrius is an invasive one. I would therefore also like to convey to the audience this sense of invasion. When Demetrius says, â€Å"Relent, sweet Hermia†¦Ã¢â‚¬  I would like him to walk up to Hermia, and put his arm around her, caressing her with his other hand, turning them both away from Lysander. When he speaks to Lysander, Demetrius should keep his back to Lysander, but turn his head to face him, so that his line is like an aside, as if he does not respect him. The words ‘†¦crazed title†¦Ã¢â‚¬â„¢ should be accompanied by paralinguistic features, such as an outstretching arm to convey to the audience how much Demetrius does not want Lysander and Hermia to marry. Finally, the word ‘†¦my†¦Ã¢â‚¬â„¢ should be over emphasized to convey that Demetrius strongly feels that Hermia shou ld be his, whether she loves him or not, because of the wishes of her father. His character, and especially his behaviour towards Helana changes at the end of the play. Whilst in the earlier stages of the play, he is confident, using large gestures and a lot of stage space, at the end of the play, I would like him to express a more tender side to the audience, to convey the development of his character: That we are awake? It seems to me That yet we sleep, we dream. Do not you think The duke was here, and bid us follow him? (Scene IV, Act I, lines 192-194) This line should be used to convey character development to the audience as it contrasts so strongly with his opening line – the use of ‘†¦you†¦Ã¢â‚¬â„¢ in contrast to ‘†¦my†¦Ã¢â‚¬â„¢ for example. There is also a confusion in this utterance, which contrast with the confidence in the first lines. (566 words) Helena At the beginning of the play, Helena is portrayed as hapless; the scorned lover who has been wooed by Demetrius and then ignored in favour of Hermia. However, like Demetrius, Helena demonstrates a massive character development and transformation. Like Lysander, the arc of her character trajectory reaches its crescendo after Puck has sprinkled the love potion in Lysander and Demetrius’s eyes. When they both try to woo her, she feels they are mocking her, and gets angry. To best convey the transformation in her character between before and after the love potion has been dispensed, I’d like to consider how vocal quality and demeanor can be used in two of her utterances: Call you me fair? That ‘fair’ again unsay. Demetrius loves your fair. O happy fair! †¦Sickness is catching. O, were favour so, Yours would I catch, fair Hermia, ere I go. †¦O, teach me how you look, and with what art You sway the motion of Demetrius’ heart. (Scene I, Act I, lines 181-194) This except is from a long speech in which Helena proceeds to extol the virtues of Hermia, with whom Demetrius is infatuated. The key message I would like to convey to the audience from this speech is the idea that Helena is confused, upset and slightly jealous of Hermia. She is asking Hermia how she won the heart of Demetrius. In order to convey this dejection to the audience, I think the delivery of this speech should involve some rhetoric – while Helena is asking Hermia how she wooed him, and saying how fair Hermia is, my interpretation of this speech is that it is a melancholy meditation on the loss of her love. She is not looking for external answers, rather internal answers, and so it is questions she is asking herself. This could be expressed to the audience by the character of Helena distancing her self physically from the group – this would be a visual symbol of her isolation. Her demeanor and body language would be hunched and dejected, and her voice subdued a nd hushed The other speech that is a seminal moment in the performance of Helen is when she feels she is being mocked by the two men, and gets angry. Clearly her relationship with Demetrius is changed when he falls in love with her. While she may be unaware of it, the hierarchy of the relationship has been overturned, and she has now adopted a position of power. In her speech, she says: O spite! O hell! I see you are all bent To set against me for your merriment. If you were civil and knew courtesy You would not do me thus much injury. (Scene III, Act II, lines 145-148) This speech can be used to great effect to demonstrate the performance possibilities of this role. The demeanor and vocal qualities performing this speech would require differ hugely to the earlier one – with a louder voice, delivery directed at the other characters and inflated body language required. (493 words) Hermia Hermia is represented in the play as a strong, defiant young woman, prepared to take risks in order to fulfil her own desires. This is exemplified in her refusal to bow down to her father’s wish that she marry Demetrius. In the face of a death sentence, or life in a nunnery, she escapes with Lysander into the forest. Lysander’s love for Hermia, along with Demetrius’s desire, demonstrate that she is an attractive and desirable young woman. These are two important points I’d like to consider when constructing the performance of Hermia. I would like to convey to the audience her inner strength and determination, alongside her physical attractiveness. The notion of physical attractiveness could be conveyed primarily through costume and appearance. As Hermia is clearly a woman of considerable charm (illustrated when Helena asks her what charm she used to capture Demetruis’s heart), her costume should reflect this. As it is believed that she unwittingly won over Demetrius (this is an ambiguity in the text – it is possible that Demetrius loves her because her father is so impressed by him) I would also like to impress upon the audience a sense of naivete and innocence. The obvious symbolic colour of this is white. White would also look striking under the stage lights. I would use floaty fabrics for the costumes, such as organza, to communicate the ethereal quality of not only Hermia herself, but also the forest, and the magic contained within it. When Hermia leaves Athens and escapes to the forest, I would like her to adopt a robe over her dress, of green, to convey to the audience, through her change in costume, that a change is impending in the play. While the charm and beauty of the character of Hermia will be communicated visually, the inner strength and courage that I interpret as being key elements of her character, will be communicated through her demeanor. It is commonly understood in the study of body language that confident people stand up straight, unlike shy people, who hunch up, in a subconscious decision to take up less space. In this way, stage space becomes an important indicator of personality. I have mentioned before that I would, at certain points in the text like characters to use the whole space of the stage to convey a sense of confidence. I would like the performance of Hermia to adopt a comfortable use of the entire stage space. More specifically, I would like to refer to one speech that I feel is very important in the text, in Scene I, Act I, when Hermia is talking to Theseus with regards to her desire to marry Lysander: So will I grow, so live, so die, my lord, Ere I will yield my virgin patent up Unto his lordship whose unwished yoke My soul consents not to give soveregnity. (Scene I, Act I, lines 79-82) This speech is an important point at the text because Hermia makes clear her intentions to avoid marriage to Demetrius. It is a very dramatic, sensitive piece. This speech should be delivered with intensity, to convey to the audience the depth of Hermia’s feelings for Lysander. The performance should include some paralinguistic features such as moving around the stage, facial expressions and hand movements to express her feelings visually. (549 words) My understanding of Theseus is that he is a very complex character – there is conflicting evidence in the text as to his true nature. There is one utterance in the text that brings up questions regarding his true nature, when he is talking to Hippolyta and he says that: Hippolyta, I wooed thee with my sword, And won thy love doing thee injuries; But I will wed thee in another key: (Scene I, Act I, lines 16-18) My interpretation of this line is that Theseus raped Hippolyta. The implications of this in terms of how the character should be performed are vast. In much of the text, Theseus is represented as a pensive, thoughtful man. He kindly advises Hermia to â€Å"Take time to pause†¦Ã¢â‚¬  (Scene I, Act I, line 83) when discussing the situation with her father Egeus. This scene presents him as rational and kindly. The suggestion of rape in line 16 makes the line highly important, the suggestion I would like to convey to the audience is the idea that Theseus is warning Hippolyta. In bringing the issue of the rape to the forefront, he is reminding her of the power balance in their relationship. There is also possibly some penitence in this admission. This could be communicated to the audience through the use of certain vocal qualities, demeanor and stage space. I would like Theseus’s sense of power to be conveyed to the audience in a visual way, so he would deliver this speech standing, and walking around, whilst the character of Hippolyta would be sitting down. The discrepancy in their heights would be a visual representation of the hierarchy, which would further consolidate what Theseus was saying. This is such a patriarchal power play that props could be used to represent a sense of phallocentricity – such as a sceptre – a regal and phallic symbol. The use of this prop co uld convey to the audience my interpretation of Theseus as being the patriarchal and dominant force in the opening of the play. His kingdom is run on a set of rigid rules – for example, Egeus invoking the ancient law of Athens as Hermia wants to marry Lysander. This is in stark contrast to the forest – the mysterious, feminine arena which is the binary opposite of Athens. In terms of demeanor, Theseus should be calm, and considered in his movements. I would like his costume to be of dark colours, and of neat, clean lines. This operates in contrast to Hermia’s costume – the white of her costume is a symbol of innocence while the dark of Theseus’s costume is aligned with the dark side he hints at in this speech. (440 words)